Deborah F. Lawrence 

(view résumé in PDF format)
 

Education

Master of Fine Arts, Claremont Graduate University, Claremont, CA.
Bachelor of Arts, University of California, Riverside, CA.

 

Awards and Commissions

2009
2008
2007
2007
2006
2005
2002-03
2002
2001-02
1995-03
1999
1997-98
1996

Artist Residency, Blue Mountain Center, Blue Mountain Lake, New York.
Pollock Krasner Foundation Grant, New York.
GAP Grant, Artist Trust, Seattle.
Puffin Foundation Grant, Teaneck, NJ.
CityArtist Project Grant, Office of Arts & Cultural Affairs, Seattle.
Creative Capital Grant, New York City, NY.
Artist Trust/Washington State Arts Commission Artist Fellowship, Visual Art.
Finalist, Betty Bowen Artist Award, Seattle Art Museum.
Seattle Justice Center Permanent Public Art, Seattle Office of Arts & Cultural Affairs.
Washington State Arts Commission, Arts in Education, Olympia, WA.
GAP Grant, Artist Trust, Seattle, WA.
Special Projects Grant, King County Arts Commission, Seattle, WA.
Commission, Seattle Artists Visual Arts Program, Seattle Arts Commission, Seattle, WA.
Nominee, The Ned Behnke Artist Fellowship, Seattle, WA.

1995
1994

GAP Grant, Artist Trust, Seattle, WA.
WESTAF/NEA Regional Fellowship for Visual Artists.
Cultural Resources Division, King County Arts Commission, Seattle, WA.
Metro Poetry Bus Project, Metro Arts Program, Seattle, WA.
Artist In Residence, Salem Arts Council, Salem, OR.
Curator's Award, Northwest Annual, COCA, Seattle, WA (Joel-Peter Witkin, curator).

1993-04
1991-92
1991
1990-91
1988-89
1981
1976

Commission, Seattle Artists Visual Arts Program, Seattle Arts Commission, Seattle, WA.
Individual Artist Grant, Los Angeles Department of Cultural Affairs.
Grant, Adolph and Shirley Gottlieb Foundation, New York, NY.
Individual Artist Grant, Los Angeles Department of Cultural Affairs.
Individual Artist Grant, Artists in Communities, California Arts Council.
California State Fellowship, Fine Art.
Nomination, Who's Who In American Colleges and Universities.

 

Solo Exhibitions

2012
2011
2009
2008

2007
2006
2005
2004
2003
2001
2000

Washington State University, Gallery 2, Pullman, WA.
Chez Shaw, Long Beach, CA.
North Hill Exhibitions, Los Angeles, CA.
Catherine Person Gallery, Seattle.
Sheehan Gallery, Whitman College, Walla Walla, WA.
Frieda and Roy Furman Gallery, Lincoln Center, New York.Chez Shaw, Long Beach, CA.
Catherine Person Gallery, Seattle.
Provisions Library Resource Center for Activism and the Arts, Washington, D.C.
Northwest Museum of Arts & Culture, Spokane, WA.
Esther Claypool Gallery, Seattle, WA.
Esther Claypool Gallery, Seattle, WA.
Kittredge Gallery, University of Puget Sound, Tacoma, WA.

1999

Helen S. Smith Gallery, Green River Community College, Auburn, WA.
Imogene Cunningham Gallery, University of Washington, Seattle, WA.

1998
1997
1996
1995
1990
1988
1987

SITE Gallery, Los Angeles, CA.
Penelope Loucas Gallery, Tacoma, WA.
King County Arts Commission Gallery, Seattle, WA.
Sandford Gallery,Clarion University of Pennsylvania.
Koslow Rayl Gallery, Los Angeles, CA.
Koslow Gallery, Los Angeles, CA.
Koslow Gallery, Los Angeles, CA.
Rex Wignall Museum, Chaffey College, Alta Loma, CA. (catalog)
Onyx Gallery, Los Angeles, CA.

1986
1982
1980
1979

U.C.L.A. Art Library, University of California, Los Angeles, CA.
West Gallery, Claremont Graduate School, Claremont, CA.
Steps Into Space Gallery, Los Angeles, CA.
Riverside Art Center, Riverside, CA.

 

Selected Group Exhibitions

2009
Works on Paper, SAM Gallery, Seattle Art Museum, Seattle.
Envision Cascadia:  Artists Ponder the Homeland, Port Angeles Fine Arts Center, Port Angeles, WA.
Viable Resources (Deborah Paine, curator), Washington State Convention and Trade Center, Seattle.
Civic Responsibility, Gallery of the Common Experience, Texas State University, San Marcos, TX.
2008
Artists for Change (Ronald Feldman, curator), Phillips de Pury & Company, New York.
See What I Mean: Interactions Between Image and Text, Walkers' Gallery, San Marcos, TX.
2007
Paradise Regained, Eagle Rock Center for the Arts (Helen Lessick, curator), Los Angeles.
Syndicalism:  NW Art Cartel, Washington State Convention and Trade Center, Seattle.
For Our Readers, Catherine Person Gallery, Seattle.
The Seed, Port Angeles Fine Arts Center, Port Angeles, WA.
The Art of Protest & Dissent,Gallery of the Common Experience, Texas State University, San Marcos, TX.
2006

Objects and Stories, Oregon State University, Corvallis, OR..
At Once, Catherine Person Gallery, Seattle.

2005

Money, Port Angeles Fine Arts Center, Port Angeles, WA.
Recycled Art Invitational, NYFA Gallery ,Seattle.

2004

Beyond Talk: Redrawing Race, Wing Luke Asian Museum, Seattle, WA.
Ellen Freund Art, Columbia Street Gallery, Vancouver, BC, Canada.
Consumables (Matthew Kangas, curator), Bumberbiennale, Bumbershoot, Seattle, WA.
Painters of Blight and Jack Chick, Roq La Rue, Seattle, WA.
Vexed:  Political Art, Kittredge Gallery, University of Puget Sound, Tacoma, WA.
Recycled Art Invitational, BallardWorks, Seattle, WA.

2003

Art & Justice, Artworks in the new Justice Center, City Space Gallery, Seattle, WA.
Defining the Homeland (Greg Bell, curator), Gallery 110, Seattle, WA.
With A Little Help From Her Friends,
Porter Exchange Gallery, Lesley University, Cambridge, MA.
The Eight Hands of Zelda Gilroy, Linda Hodges Gallery, Seattle, WA
HomeLand, Port Angeles Fine Arts Center, Port Angeles, WA.

2002

The Eight Hands of Zelda Gilroy, Esther Claypool Gallery, Seattle, WA.
One Year Later,  M. Rosetta Hunter Art Gallery, Seattle Central Community College.

2000
1999

The Whole World Is Watching, Center on Contemporary Art (CoCA), Seattle, WA.
Here and There, Center on Contemporary Art (COCA), Seattle, WA.
Group Exhibition,
Alysia Duckler Gallery, Portland, OR.

1998
1997

Group Exhibition, Robert Clements Gallery, Portland, ME.
They Came Here First, Center on Contemporary Art (COCA), Seattle, WA.
Human References:  Marks of the Artist,  A 10-Year Retrospective of the Seattle Artists' Program Collection (Beth Sellars, curator), Seattle Center, Seattle, WA.
Celebrity:  Figures of Fame, Fortune, Heroism and Infamy (Greg Kucera, Jed Rauscher, Jena Scott, curators), Bumbershoot, Seattle Center, Seattle, WA.
They Came Here First, Center on Contemporary Art (COCA), Seattle, WA.

1996

Paper and Glue, Two-Person Exhibition, Port Angeles Fine Arts Center, Port Angeles, WA.
Nominee Exhibition, Neddy Artist Fellowship,  Behnke Foundation, WA Convention Center, Seattle, WA.
Textures, Seattle Art Museum Sales and Rental Gallery, Seattle, WA.
Narrative Art,  Seattle Art Museum Sales and Rental Gallery, Seattle, WA.
Group Show, Susan Cummins Gallery, Mill Valley, CA.

1995-96

In the Light of Goya, University Art Museum, University of California, Berkeley, CA, and California State University, Hayward, CA.

1995

Knowing Her Place, Wonderful World of Art, Seattle, WA.
Folie A Deux, Center on Contemporary Art (COCA), Seattle, WA.
Agents of Change:  Northwest International Women's Conference Art Exhibition, (Peggy Weiss and Ann Rosenthal, curators) Washington Convention and Trade Center, Seattle, WA.
Post Pre-Raphaelites, Terrain Gallery, San Francisco, CA.
Broadcast, Rio Hondo College, (Kim Abeles, curator), Whittier, CA.
Dreams and Visions,  Seattle Art Museum Sales and Rental Gallery.
Get Back, Kohn Turner Gallery, Los Angeles, CA.

1994

Kirkland Art Center Annual,   (Peggy Weiss, curator) KAC, Kirkland, WA.
Family Values,  El Camino College Art Gallery, Torrance, CA.
Northwest Annual,  (Joel-Peter Witkin, curator) COCA, Seattle, WA.
Contemporary FigurativeArt, Seattle Art Museum Rental/Sales Gallery, Seattle, WA.
Figure and Ground,  (Jake Seniuk, curator) Port Angeles Fine Arts Center, Port Angeles, WA.
Seattle Artists:  Seattle Arts Commission Group Exhibition, Metropolis Gallery, Seattle, WA

1993

Miniatures, Olga Dollar Gallery, San Francisco, CA.
Dreams & Tokens, Olga Dollar Gallery, San Francisco, CA.
L.A. Biblioteca, SITE Gallery, Los Angeles, CA.
The Artists' Writing Reading Room, Side Street Projects, Santa Monica, CA.
Wings Over L.A., Westside Arts Center/Santa Monica Place (catalog), Santa Monica, CA.

1992

A Room With A View, Ettinger Gallery, Art Institute of  Southern California, Laguna Beach, CA.
Twisted Tales, John Thomas Gallery, Santa Monica, CA.
Sticking Place:  Space/Image in Contemporary Collage (Peter Frank, curator)Long Beach College Gallery, CA. 
Recent Political Art, Jose Druis-Biada Gallery, Mt. St. Mary's College, Los Angeles, CA.
Issue of Choice, Los Angeles Contemporary Exhibitions (LACE), L.A., CA.
Collage and Assemblage (Ed Lau, curator), Olga Dollar Gallery, San Francisco, CA.
World News, Muckenthaler Cultural Center, Whittier, CA.

1991

California Artists' Books, Armory Center for the Arts, Pasadena, CA
Vigilance, El Camino College Art Gallery, Torrance, CA.
Message in a Bottle, Intersection for the Arts, San Francisco, CA.
Faculty Show, Idyllwild School of Music and the Arts (ISOMATA), Idyllwild, CA.
World News, Beyond Baroque, Venice, CA.

1990

Terra Fluxus, CA State University, Dominguez Hills, Carson, CA. (catalog)
Accretions:  Collage and Assemblage, Space Gallery, Los Angeles, CA.
Dialogue Prague/Los Angeles, Arroyo Arts Collective, Los Angeles, CA.(catalog)
Group Show, The Art Works, Riverside CA.

1989

Dialogue Prague/Los Angeles, Lidovy Dum, Prague, Czechoslovakia. (catalog)
The Barbie Show, CA State University, Long Beach, CA.
Ex Libris:  Narrative Art in Postmodern Los Angeles, Druis-Biada Gallery, Mt. St. Mary's College, LA.           

1988

A Thousand Words, Long Beach City College, Long Beach, CA.
Hollywood:  Portraits of the Stars, (Joan Quinn, curator), Otis Art Gallery, Los Angeles, CA.

1987
1986
1985

Three Person Exhibition, Valerie Miller & Associates, Los Angeles, CA.
New Collage '86, (Robert Pincus, curator), Design Center of Los Angeles.
To The Astonishing Horizon:  The California Landscape (Peter Frank, curator). Design Center of L.A.
45 Southern California Artists, Metro Rail Transit Consultants, Los Angeles, CA.
Group Show, Roger Morrison Gallery, Los Angeles, CA.

1984

Selections From the Gallery, Kirk deGooyer Gallery, Los Angeles, CA.
National Copier Art Exhibition, Pratt Graphics Center, New York, NY. (purchase prize; catalog)
Three L.A. Painters, Eighth Street Gallery, Los Angeles, CA.                                   

1983
1982
1981

Sixth Annual Downtown Artists Show (Richard Armstrong, curator), LACE, Los Angeles, CA.
New Work, New Talent, Phyllis Needleman Gallery, Chicago, IL.
LA Artists, The Works Gallery, San Jose, CA.
The Young Geeks, Libra Gallery, Claremont, CA.

 

Professional Experience

2009

Adjunct Faculty, Seattle University, MFA in Arts Leadership, College of Arts and Sciences, Seattle, WA.

2001-9

Adjunct Faculty, Graduate School of Arts and Social Sciences, Lesley University, Cambridge, MA.

2008

Fall Keynote Speaker, Department of Art and Art History, Loyola Marymount University, Los Angeles.
Artist Teacher, MFA Program, Vermont College of Fine Arts, Montpelier, VT.
Guest Speaker, Redressing Grievances, Critical Pedagogy Through the Arts Series, Graduate School of Arts and Social Sciences, Lesley University, Cambridge, MA.
Lecturer, Dee Dee Does Utopia, Microsoft Auditorium, Seattle Public Library, Seattle, WA.
Artist Mentor, MFA in Visual Arts Program, Art Institute of Boston, MA.

2006

Adjunct Faculty, Interdisciplinary Arts & Sciences, University of Washington, Tacoma, WA.
Instructor, The Iluminated Manuscript,Hugo House, Seattle, WA.

2005

Adjunct Faculty, Interdisciplinary Arts & Sciences, University of Washington, Tacoma, WA.
Instructor, The Iluminated Manuscript,Hugo House, Seattle, WA.

2003-04
2003
2001-03
2000
2001

Guest Artist, Iluminated Manuscripts, The Evergreen State College, Olympia, WA.
Guest Artist, Northwest Museum of Arts and Culture, Spokane, WA.
Artist in Residence, Washington State Arts Commission, Arts in Education, Seattle, WA.
Guest Artist, Claremont Graduate University and Pomona College, Claremont, CA; Pasadena City College, Pasadena, CA; California State University, Northridge, CA.
Artist in Residence, Shoreline School District, Shoreline, WA.

2000-01

Artist in Residence, Seattle Arts Commission, Adams Elementary School, Seattle, WA.
Artist in Residence, Washington State Arts Commission, Arts in Education, Seattle, WA.
Artist in Residence,The Nightingale Project, Experimental Gallery and Children's Hospital, Seattle, WA.

2000

Guest Artist, Cornish College of the Arts, Seattle, WA.
Artist in Residence, Seattle Summer High School 2000, Roosevelt High School, Seattle, WA.

1998-99
1999
1998
1996-99

Instructor, Seattle Center Academy of Arts and Sciences, Seattle, WA.
Guest Artist, Tacoma Art Museum Arts Education, and University of Washington School of Art, Tacoma Branch.
Artist in Residence, Bellevue Arts Commission; Seattle Center Arts Academy; The Children's Museum.
Artist in Residence, Washington State Arts Commission Arts in Education, Seattle School District, and Experimental Gallery, Washington Dept. Juvenile Rehabilitation.

1996

Artist in Residence (alternate), Seattle Asian Art Museum, Seattle WA.
Guest Artist, Cornish College of the Arts, Seattle, WA.
Guest Speaker, Paper and Glue, Port Angeles Fine Arts Center, Port Angeles, WA.
Guest Speaker, Northwest Collage Society, Seattle, WA.
Guest Speaker,  King County Art Gallery, Seattle, WA.

1995

Adjunct Faculty,  School of Art, University of Washington,  Seattle, WA.
Visiting Artist, Clarion University of Pennsylvania.
Panelist,Agents of Change:  NW Int'l Women's Conference , WA State Convention & Trade Center, Seattle, WA.
Lecturer,Tell It Like A Woman, Clarion University of Pennsylvania, Clarion, PA.

1994

Curator, Family Values,El Camino College Art Gallery, Torrance, CA.
Artist in Residence, Hillcrest School of Oregon, Salem, OR.
Artist in Education, Salem Arts Council, Salem, OR.
Panel Moderator,Family Values, Art Department, El Camino College, Torrance, CA.

1993

Guest Speaker, Idyllwild School of Music and the Arts, Artist Lecture Series, Idyllwild, CA.
Guest Artist, Art Department, Pasadena City College, Pasadena, CA.

1990-03
1991-03

Project Coordinator/Collaborating Artist, Artsreach, University of California, Los Angeles. 1991-3
Instructor, Idyllwild School of Music and the Arts (ISOMATA) Adult Program, Idyllwild, CA.
Instructor, Armory Center for the Arts, Pasadena, and Westside Arts Center, Santa Monica, CA.

1992

Visiting Artist, Los Angeles County Museum of Art, Evenings for Educators, Los Angeles, CA.
Lecturer,  Art Department, El Camino College, Torrance, CA.
Program Director, Armory Center for the Arts. 
Guest Artist, Los Angeles County Museum of Art, Artists Talk About Art, Los Angeles, CA.
Visiting Artist, Junior Arts Center,  Los Angeles, CA.

1991-02

Curator, World News, Los Angeles, CA.
Project Director, Recycle This Public Art Project. Funded by L.A. Dept. of Cultural Affairs.

1991

Visual Art Coordinator, Idyllwild School of Music and the Arts (ISOMATA), Idyllwild, CA.
Guest Speaker, California Lawyers for the Arts, Loyola Law School, Los Angeles, CA.
Guest Artist, The Woman's Building, Feminist Art, Feminist Theory,  Los Angeles, CA.
Guest Artist, The Art Works Gallery, Riverside, and Long Beach Museum of Art, Long Beach, CA.
Visiting Artist, California Institute for Women, Chino, CA.

1989-91
Art Instructor, University of California Fine Arts Extension, Los Angeles, CA.
1990-91
Project Director, I Am A Map Project, the Woman's Building, L.A., CA. Funded by L.A. Dept. of Cultural Affairs.
1990

Lecturer, Art Department, Claremont Graduate School, Claremont, CA.
Guest Artist, California State University, Dominguez Hills, Carson, CA.

1988-90
Program Coordinator, the Woman's Building, Los Angeles, CA.
1989

Guest Artist, Dialogue Prague/Los Angeles, Prague, Czechoslovakia.
Guest Artist, Bielefeld Kunstschule, Bielefeld, W. Germany.
Visiting Artist, The Music Center, and Junior Arts Center, Los Angeles, CA.
Guest Artist,Art & Inspiration, Century Cable Television,  Santa Monica, CA.

1988- 89
1987
1986
1985
1983

Artist In Residence, the Woman's Building, Los Angeles, CA. Funded by  the California Arts Council.
Guest Artist, KCET Public Television, 7:30 News, Los Angeles, CA.
Guest Lecturer, Art Department, Claremont Graduate School, Claremont, CA.
Guest Lecturer, Art Department, CA State Polytechnic University, Pomona, CA.
Lecturer, Art Department, Claremont Graduate School and University of Southern California, Los Angeles, CA.

1982
Guest Artist, KCOP TV, On Campus, Los Angeles, CA.
 

Selected Bibliography

Rebecca Albiani, Deborah Lawrence at Esther Claypool Gallery, Artweek, March 2000, p. 27. Illustration.

Kay Allard, Creative righting:  Art and politics intersect, Real Change, Vol.11, No. 1, May 13-26, 2004, p.12. Illustration.

Caroline Allen, On Exhibit, Seattle Post-Intelligencer, October 20, 2000, p.27, Illustration.

Ruth Askey, Deborah F. Lawrence,Artscene, Oct. 1985, p. 13. Illustration.

Dinah Berland, New Collage 1986,Downtown News, August 1986.

Antoinette Botsford-Epstein, A Cohesive Exhibit,L.A. News, July 1986, p. 6. Illustration.

Aslan Brooke, Lawrence calendars at U.C.L.A.,The News, June 13, 1986, p. 16.

Greg Burkman, The trouble with NW feminism,The Stranger, Feb. 6, 1995. Illustration.

Frances DeVuono, Reviews/West Coast:  Spokane, WA, Art Papers Magazine, Jan/Feb 2004, p. 57. Illustration.

Frances DeVuono, Here and There at CoCA,Artweek, October 1999, p. 30.

Marlena Donohue, Galleries,Los Angeles Times, July 13, 1987, p. 22.

Anna Fahey, Reviews,Seattle Weekly, June 7, 2001, p. 55 and 93. Illustration.

Anna Fahey, Reviews,Art Papers Magazine, Nov/Dec. 1999, p. 63.

Sheila Farr, Crazy quilts of imagery dazzle and charm, Seattle Times,  June 29, 2001, p. 40H. Illustration.

Peter Frank, Pick of the Week,L.A. Weekly,  Nov. 18-24, 1988, p. 138. Illustration.

Peter Frank, Review of Family Values, Long Beach Press-Telegram, Dec. 14, 1994, p. D-4. Illustration.

David French, Deborah F. Lawrence, Artscene, Nov. 1988, p. 18. Illustration.

Tawnya Gerla, The envelope please..., Seattle Arts,  Jan. 1994, p. 5, 7. Illustration.

Helen Gilbert, Ugly Americans:  Abu Ghraib shakes U.S. complacency, Freedom Socialist Bulletin, No. 31, Winter/Spring 2004, p. 27. Illustration.

Cydney Gillis, Between selling and changing,Reflex, Feb.-Mar. 1995, p. 14. Illustration.

Lee Goss, Odd Encounters,Eastside Week, Nov. 16, 1994, p. 31-32.

Shirle Gottlieb, Of Time and Change,Artweek, Dec. 6, 1990, p. 13. Illustration.

Regina Hackett, Wing Luke exhibit fosters dialogue about racial differences,Seattle Post-Intelligencer, 6/4/04, p. 23.

Emily Hall, The Art of Politics,The Stranger, June 29-July 5, 2000, p. 37. Illustration.

Josine Ianco-Starrels, Art News,Los Angeles Times, Sunday Calendar, Feb. 20, 1983.

Josine Ianco-Starrels, Downtown show for chosen seven,Los Angeles Times, Feb. 25, 1983.

Matthew Kangas, Compelling collection of art with a conscience,Seattle Times, May. 28, 2004, p. 47H.

Matthew Kangas, Diversity on display at COCASeattle Times, Jan. 27, 1994, p. E-5. Illustration.

Michael Laurence, Deborah Lawrence at Koslow Rayl, Art in America, April 1989, p. 271. Illustration.

Michael Laurence, An Art History Dreamtime,Artweek, April 11, 1987. Illustration.

Kim Levin, Dialogue Prague/Los Angeles,The Village Voice, Sept. 1989.

Ingrid Lilligren, Abeles, Lawrence and Benish:  Actively Artists, Journal, CA WCA, Spring 1991, p. 3.

Suzanne Lummis, Born To Cut,Downtown News, March 13, 1989.

Maud Lynne, Shop smart for art,L.A. Weekly, Dec. 5, 1985.

Doug Margeson, Women/Art:  Exhibits focus on sex roles in society,Bellevue Journal American, 2/3/95, p. C1.

Kristine McKenna, Galleries,Los Angeles Times Calendar, Nov. 4, 1988, p. 16.

Tom McTaggert, Two months at Metropolis GalleryReflex,  March/April 1994, p. 15. Illustration.

Kathi Norklun, LACE's 6th annual Downtown Artists' Show, Artweek, March 26, 1983. Illustration.

Kathi Norklun, Pick of the Week,L.A. Weekly, March 11, 1983. Illustration.

Susan Platt, Commissions, Seattle Justice Center,Sculpture Magazine, Sept. 2003. Vol. 22, No. 7, p. 26-7. Illustration.

Susan Platt, Politically Indirect:  Outing the activist artist,Art Papers Magazine, Sept/Oct 1999, p.32-7. Illustration.

Charlene Roth, ...Family Values, El Camino College Art Gallery,Artweek,  January 1995, p. 31. Illustration.

Jack Skelley, Critic's Choice,Downtown News, March 26, 1990, p. 26. Illustration.

Jake Seniuk, On Center, Spring 1994, Vol. VI, No. 1, p. 1., and Winter 1996, Vol. VIII, No. 1, p.1. Illustration.

Susan Swann, Boldface,L.A. Reader, March 23, 1984, p. 6. Illustration.

Robin Updike, Here, there and everywhere,The Seattle Times,  July  1, 1999, p. G24.

Robin Updike, Art by Airmail,The Seattle Times,  September 7, 1995, p. G24. Illustration.

Alicia Vaughn, Changing of the Guard,Artweek, December 17, 1992, p. 19.

Dan Webster, Freedom of expression, U.S. and Czechoslovakia,Spokane Chronicle, Feb. 8, 1991, p. D1.

 

Books and Catalogues

Dee Dee Does Utopia, a book by Deborah F. Lawrence, Marquand Books; distributed by DAP, NY. May 2008 (illustrations).
Film Society of Lincoln Center, July 2007 program guide, p. 26 (illustration).
One Shot:  A Visual Codec Project, 2007 (illustration).
Vision Magazine:  Catalyst for Conscious Living, November, 2005 (Cover and illustrations, p. 49).
Green Time:  Stories, Xlibris, 2004 (cover illustration and short story)
Art and Justice, Office of Arts and Cultural Affairs, Seattle, WA, 2003.
Project Nightingale, Experimental Gallery, Children's Museum, Seattle, WA, 2000.
Human References:  Marks of the Artist,  A 10-Year Retrospective of the Seattle Artists' Program Collection, Seattle Arts Commission, Seattle, WA, 1997.
We're Your Future Too, Experimental Gallery, Children's Museum, Seattle, WA, 1997.
In the Light of Goya, University Art Museum and Pacific Film Archive, University of California, Berkeley, CA, 1996.
Deborah F. Lawrence, Tell It Like A Woman, Clarion University of Pennsylvania, 1995.
Withinsight:  Visual Territories of Thirty Artists, Western States Arts Federation/National Endowment for the Arts, 1994.
Wings Over the City, Westside Arts Center, Santa Monica, CA, 1993.
World News, Artists Respond to World Events, Muckenthaler Cultural Center, Fullerton, CA, 1992.
Terra Fluxus:  Contemporary Landscape, University Art Gallery, California State University, Dominguez Hills, CA, 1990.
Dialogue/Prague/Los Angeles, Lidovy Dum, Prague, Czechoslovakia, 1989.
The Ampersand, Pacific Center for the Book Arts, Vol. 8, #4, 1989.
Contemporary Iconography, Rex Wignall Museum, Rancho Cucamonga, CA, 1988.

 

Internet

artist's website: http://www.deedeeworks.com/
interview: http://www.seattlechannel.org/videos/video.asp?ID=3350814
gallery: http://www.catherinepersongallery.com/artists/14/index.htm
Creative Capital: http://creative-capital.org/projects/view/107
exhibition: http://www.filmlinc.com/wrt/gallery/deedeedoesutopia.htm
exhibition: http://microsites.provisionslibrary.org/deedee_site/notes_deedee_int.html (an interview)
exhibition: http://microsites.provisionslibrary.org/deedee_site/exhbt_beachtopia.html (a virtual tour)


References and Collections available on request.

 
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